Wednesday, December 3, 2014

Let's Meet at the Library: After NaNo WriMo Novel Editing Workshop

National Novel Writing Month has ended again, and it's time to start shaping all those words into the novel you wanted to write and the novel we want to read.  But where to begin and how to presume? Probably not by querying an agent, or asking for advice from your best friend--who doesn't like to read anyway, or by beginning to circle your typos on page one.  

Instead, join your fellow writers in the Revision Workshop I'm leading at the North Spokane Library this Saturday, December 6, from 2-3 PM.  We'll discuss ways to re-vision your manuscript, how to think about the revising process, and take part in a hands-on activity to make you feel more confident in the editor's chair.

The workshop is free and open to all interested fiction writers, regardless of genre.

North Spokane Library
44 E. Hawthorne Rd
Spokane, WA 99218

For information about this and other cool classes offered at Spokane County Libraries, see the schedule.  See you on Saturday!

Friday, August 29, 2014

2014 Summer Library Series: Some Kind of Reader by Tim Greenup

From Montana to Delaware, from Michigan to Indiana, this year's sometimes-annual edition of the Summer Library Series comes to a close "somewhere in Oakdale, Minnesota" with this reflection by writer, Tim Greenup.  Thanks to all the writers who took the time to write original work for the series, and for all the readers who have enjoyed the work (and hopefully a bit of summer reading via your own local library). Without further ado, Tim Greenup, everybody:  


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Some Kind of Reader
by Tim Greenup

I can only recall two things about my childhood library - itchy red-orange industrial carpeting and a wall of windows with sunlight coming through them - which both strike me as pretty commonplace sights for a suburban public library of the late 80’s. For certain I can say this of the library: it was somewhere in Oakdale, Minnesota and my family rarely went there.

Growing up, we weren’t exactly “book people.” We were TV people, and TV was king. We watched Cheers and Roseanne while eating hard shell, ground beef, tacos on flimsy foldable TV trays. We rode our bikes around the neighborhood and laughed about Balki from Perfect Strangers. We went to church and stopped for donuts afterward, never exchanging a word about the sermon, but about the Starship Enterprise instead. We enjoyed our simple cathode ray pleasures, and reading, we’d been taught by TV, was, well, boring. We just couldn’t bring ourselves to do it.

That said, we did have a few books on a shelf in our living room, like a 12 book series on various peoples of the American West ("Plains Indians", "Mountain Men", "Homesteaders", etc.) and some book about the Civil War. I never saw either of my parents open these books, and I cannot recall anyone in my family ever voicing an interest in these topics. But the books remained on that shelf until the whole house got packed up and sold off a few years ago. The mint condition of the binding at the time of their packing suggested that no one had ever read them.

As a boy, I puzzled over the origin of these books. Perhaps they had belonged to a brave warrior and my family had been entrusted to keep watch over them while he fought valiantly in some far off place. Perhaps the only thing keeping him fighting was knowing that one day, when he got home, he could sit down and read at length about the Dust Bowl. It was our duty to keep that dream alive. More than likely, though, we'd been gifted the books one Christmas and didn’t know what else to do with them, so we put them out and went on with our lives. Nevertheless, I grew to like how the books looked lined on that shelf and what this small library suggested, albeit inaccurately, about the type of people that we were - smart.

Through grade school I began to build my own library of unread books. At school book fairs I bought as many as my pet sitting dollars would allow. When teachers handed out Scholastic and Golden Books catalogs for class book orders, I was always able to convince my mother to order me a few, for I would read them and reading them would lead to many future successes. Or that’s what I told her at least - something I’d picked up on 20/20. In reality, I thought that if my classmates saw me with enough crazy stacks of books, the smarter they would think I was, the more they would respect me and, in turn, the better I would feel about myself. I collected books with a desperate, misguided passion.

Whether my intellect ever crossed a single one of my classmate's minds, I will never know. I do know, though, that eventually the stacks of unread books in my bedroom got to be too much. They crowded my dressers and grew dusty. They stared at me, feeling neglected. I felt guilty, but turned away. I couldn’t read, it was just too boring, something teachers urged you to do and why should I listen to them? Urkel was on.

At some point, my father saw all the books I had amassed and made the wild assumption that I was some kind of reader. He offered to take me to the local library, that strange place with orange carpeting and sun blasting in from all sides. On our way there, we decided we would check out a book that we could read together. I stared at the paperback covers on the revolving plastic book rack. They didn’t seem all that different from the books I had in my bedroom. Some looked scary and haunting, while others looked heroic and brave. Some suggested hijinks or mystery or romance. We opted for a book titled You Are a Monster, which was part of the popular Choose Your Own Adventure series of the time. Cramped on my twin bed, my father and I read and read. It didn’t make me feel smarter or more respected, but my brain seemed to stretch in ways it never had before. Had my father not been there, I may not have allowed it to stretch like it did. But he was there, and I felt safe. The room was quiet and warm. I thought about the story long into the night.



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Tim Greenup is a writer and teacher in Spokane, Washington. His poems have appeared in Redivider, Leveler, interrupture, and elsewhere. 

















Sunday, August 10, 2014

The Head & the Hand to publish How the Sun Burns

Good news! Philadelphia-based publisher, The Head & the Hand Press, is publishing the title story of my next collection.  The story "How the Sun Burns Among Hills of Rock and Pebble" will be available as a chapbook this October.  The story was originally published in the minnesota review, nominated for a Pushcart, and was a finalist in the Kore Press Fiction Award (2012).  Stay tuned for how to get a copy.

Friday, July 18, 2014

2014 Summer Library Series: Four Libraries by Michael Martone

It's fitting that on the fourth Friday of the Summer Library Series, that writer Michael Martone brings us the stories of four libraries.  From Montana to Michigan to Delaware, we somehow missed the middle, and so today's reflection tours the Hoosier State, Indiana.  Enjoy!


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Four Libraries
by Michael Martone

Little Turtle Library, Fort Wayne, Indiana. From library website.
The Little Turtle Library, Fort Wayne


See! See me read! Look! Look at me read! Here, the words became words. Still, years later, when I am sleepy, when I have read too much the wordness of a word will evaporate.  The “the” will no long have that the-ness. Has that happened to you? The letters that long ago at the Little Turtle Library snapped to attention will go all soft and stange, will refuse in my brain to mean. Strange.  I will  have that sense memory of what it must have been like, years ago, when the letters of the “the” inflated meaning to be meant. Mother read to me from the primers whose author, I just now learned, was from Indiana like me. Zerna Sharp, of Hillisburg, imagined Dick and Jane. “See, See,” my mother said, and I saw.


  
From Flickr.com, used under CC license
The Saint Francis College Library, Fort Wayne

We would walk there from our house on Spring Street, Mother and I.  Both of us carrying bags of our books.  Mother was completing her Masters, whatever that was.  A freshman high school English teacher, she would let me “cut” my grade school classes, go with her to Central High downtown.  At the big library tables there, I listened to her tell the stories of giants in Greek Mythology to her students.  I sank into the giant library chairs.  The library at the college, housed in the massive Richardsonian Romanesque Bass Mansion, was once the summer home of the metal foundry owner.  Turrets, cupolas, towers, gothic arches, tiled roofs, porte-cochères, stained glass, spiral stairs, balconies.  The walls were loafs of stone like the sugar-cubed walls of the Troy my mother’s students made for the Odyssey unit, then left behind for me to collect. The books, the books were crammed everywhere. There were nooks and crannies, and the nooks and crannies were everywhere. Books stacked on the built-in oak shelves. Stacks of stacks.  I see now that it was probably all that odd distorted perception of childhood, but the library that housed books seemed to be a house built of books. Furnished by books. Chairs of books.  Desks of books.  Stairways of books.  So many books the books seemed to be built out of books.


Irwin Library, photograph by Richie Diesterheft, used under CC license
The Irwin Library, Butler University, Indianapolis

On the basement floor, I leaned and loafed at my ease observing the stacks and stacks of poetry.  I discovered William Carlos Williams whose book I think I selected for the primer-like insistence of the name of its author.  Inside, I discovered that his poems too echoed Dick and Jane, so much depending on white chickens, on red wheelbarrows. Listen:


TO A POOR OLD WOMAN 
munching a plum on

the street a paper bag 

of them in her hand 
They taste good to her

They taste good

to her. They taste

good to her…
The Medical Library, Jordan Hall, Indiana University, Bloomington

I went there to write.  The reading room was empty and ornate, the famous limestone beveled into spines that looked like bindings.  I knew I had a vasovagal response, a syncope usually triggered by the sight of blood but for me it was the sound of Latinate words describing blood or the body.  So “blood” would not floor me but “hemorrhage” would. Contusion. Laceration. The word “Syncope” would cause me to faint.  As a writer I wanted to write words that would act on the viscera of the reader.  Move the reader.  Take the breath away. Words to make the reader light-headed, dizzy, down for the count. I would wander the stacks between the sentences I constructed (the abstract concoctions that I hoped to make concrete), find an ancient worn tome of dissection, an anatomy richly marbled with the magic Latin and crack it open.  I read just a snippet, enough to be surprised, be delighted, my blood pressure plummeting, knocked over by the wordy words. 

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Michael Martone has always had the name Michael Martone, from the time he was born in Fort Wayne, to the publication of his most recent book of fictions, Four for a Quarter.  His other, very many books include The Blue Guide to Indiana, Michael Martone, Racing in Place, The Flatness and Other Landscapes, Fort Wayne is Seventh on Hitler's List. He is the editor of a number of titles, including the fiction anthology Not Normal, Illinois: Peculiar Fictions from the FlyoverMartone teaches writing at University of Alabama-Tuscaloosa and is the recipient of a number of awards, including The Eugene and Marilyn Glick Indiana Authors Award.  For a more detailed biography, see his faculty bio here.

This piece was originally prepared for the Indianapolis Library.