Yes, You Should Read The Full House and the Empty House by LK James

Yes, You Will Enjoy The Full House and the Empty House by LK James

    Almost every thrift store has a section of shelves brimming over with children's books. It's an easy section to get lost in--both as a book and as a reader. Many of the fictional titles, if not most, are the purposely didactic (and often pedantic) stories that teach a lesson or wrap a moral in dull writing and unimaginative illustrations. Of course, children and adults do need reminded to check their emotions, to pursue kindness, to be aware of bullies, and to use tissues and employ polite language--though often the books are so terribly created that one hopes that the readers will learn such valuable lessons and cultural values elsewhere. 

    But then, and reader you know exactly what I mean, and then there are the wildly interesting children's books that capture something in the story--something like catching an unknown creature after dark and under a marvelously patterned sheet--something that is not fully identifiable and, thus, compelling. We see this, of course, in Shaun Tan's works, such as Rules of Summer, or in Maurice Sendak's Where the Wild Things Are. Tan's originality and interest come in the collision of meaning that occurs between language and illustration--things are never what they seem, and what they seem is often difficult to pinpoint. Sendak's charm and depth often come from the drawing style itself and how unreasonable or unpredictable behavior (of children, adults, or both) can lead to a world that functions by similarly mysterious rules. The pleasure from reading Tan or Sendak does not come from a surprise ending or the resonance of characters' behaviors finding punishment or praise as often happens in fairy tales, but in the experience of the story and the sort of hushed undertones of darkness and mystery that pulse between the pages.

    LK James is not Shaun Tan, and she's not Maurice Sendak, and she's thankfully unlike many other children's books creators. She is fully LK James, and The Full House and the Empty House is both her first children's book and our first chance as readers to begin learning what we mean when we say an LK James' children's book. 

    I first learned of LK James when she illustrated my novel Hezada! I Miss You. At the time, she was designing all of Awst Press's titles, and so it was a matter of fact that she would do mine. The result was exactly right, if you as me, and there are innumerable authors who do not share that sentiment about their own covers. So pleased was I with the process and result, when Awst chose to publish my next book Unexpected Weather Events, even though LK James was no longer designing their books, I asked if she could, and luckily, both Awst and she agreed. And, again, I'm thrilled by her cover. 

    Recently, I asked her if I could interview her, and she agreed. Look for that post in the coming months. But it wasn't until I began thinking of the questions and spending time at her website looking at her work that I learned that she'd written a children's book. Or that she'd gone to school for English Literature before studying visual art and working as such an artist.

    Long story short, I ordered The Full House and the Empty House, and now I have it. 

    It does not take long to read. 

    One might find that to be an obvious statement; however, many children's books suffer from unnecessary text that distracts and detracts from the story, art, and experience. 

    The language of The Full House and the Empty House is minimal and right, which makes both the story and the illustrations receive more weight. All is precise. What happens in the story is not what turns the page but the sheet used to catch the aforementioned creature. Like with any well-told story, what makes The Full House and the Empty House so compelling comes from what the story asks us to wonder without providing any answer that fully satisfies. 

    Why is the full house so full? 

    What happens to empty a house so thoroughly? 

    Why is it that neither house holds humans, only the signs of humans--their lives and their absences--and yet both houses have no concern for their intended purposes or the people who do or do not live within them? 

    It was refreshing read a children's book that not only invited the eye to roam within the page, but one also with a storyline so deceivingly simple that the child listener will want to hear it again and again. One house is full, the other is not. One makes noise when it dances, the other does not. Each enjoys the sound of the other but neither suffers from wishing to be the other.

    The book is enjoyable read to oneself and I'd imagine a good book to dwell inside with a child listener. The conversation it invites will be an interesting one--What do you think our house would sound like if it danced? Why do you think each house is pleased by the other? --and any questions will allow reader and listener to experience the pleasure of sharing a book and experience together.        

    Published in 2019, just before COVID shut everyone away from bookstore and libraries, this book may have suffered for it. But! This is absolutely a book that needs rescued from the long, littered beach where children's books wash up month after month, wave after wave, year after year.  

 

🕮

• Learn more about LK James at her artist website: https://www.lkjames.com/
• The Full House and the Empty House is published by Ripple Grove Press. Book available at their website (among others): http://www.ripplegrovepress.com/the-full-house-and-the-empty-house

Wake to Words and Brew Some Coffee (August 20, 2023)

 

Today's poems are both by Tony Hoagland from his book Donkey Gospel.

• Hearing Aid as Memory
• Arrows

🕮

🠊 More Wake to Words here: http://www.erinpringle.com/p/wake-to-words-and-brew-some-coffee.html

🠊 Catch the live show Sunday mornings at some time-ish: https://www.facebook.com/erintpringle 

Unexpected Weather Events on KYRS with Neal and Erin

KYRS's Neal and Erin

Six years ago, Neal and I met for the first time at Spokane's KYRS Community Radio on the occasion of the forthcoming publication of The Whole World at Once. We became friends within that hour interview, and I renewed my love of radio and  returned to his radio show to talk about books or to tell stories. Not long after, his co-host Heather left the show, and I took her empty chair. For the next four years, Neal and I co-hosted an interview show on KYRS called Personally Speaking where we met many of the actors, artists, and musicians working in the Spokane area. A few years ago, we reached the show's conclusion; we swore to meet up at least once a month for a drink and conversation but have not juggled that very well. 

So, when I knew my next book was slated for publication, I sent him the manuscript, and he asked when we should do the interview. Neal continues to volunteer at KYRS, hosting a weekly music show, and helping in the recent relocation of the station from the community building to the newly renovated central library.

I had not seen the new studio yet, and it's much shinier than the former studio with its exposed brick walls, ghostly sightings, and long history. It's probably not even worth comparing the spaces, in the same way one gets nowhere comparing a vintage store to Target. 

In its new location, the station's accessibility has allowed it to take on an even more present community presence, as it now functions as a gateway for locals to learn about broadcasting, use the attached studios for recording, and other outreach opportunities. Whereas before, a code was needed to enter the door to the three flights of stairs to the studio, now you can simply walk into the library, go to the third floor, and sit outside the glass window and watch a radio show in progress.

Today was my first interview about Unexpected Weather Events, and I'm lucky that it was with Neal since we have a flow to our conversation that makes for a good practice for future interviews. I'm also thankful to have such a good reader in Neal, for it's always different talking with someone who has read your writing and who enjoys reading, too.

We had an interesting conversation about houses and their function in my stories, I read one story aloud ("A Game of Telephone"), and we deliberated over the dread that comes into every story fairly early.

I hope that you had a chance to tune in and that you've marked your calendar to attend the book release on October 1st at Shadle Library, 2 PM. 

(The show aired live and a recording will be available in the future. I'll post that when the time comes.)

In sum, the new book was a good excuse to get together with Neal, the new KYRS studio is shiny and bright, we enjoyed a coffee at Atticus afterward, and we may return to the studio sooner than later, as a new radio series could be in the works. 

Stay tuned.  

🕮🎙

• Stream KYRS shows no matter your location at their website: kyrs.org
• Listen locally by turning your radio dial to 88.1/92.3 FM, Medical Lake/Spokane
• Reserve your copy of Unexpected Weather Events from Awst Press: https://awst-press.com/shop/unexpected-weather-events

Inside the KYRS studio,
photo by Erin Pringle

 

Reading The Member of the Wedding on Wake to Words and Brew Some Coffee (8/13/23)

Yes, You Should Absolutely Read The Member of the Wedding

Unlike all the other Sundays, today I'm reading prose because I find myself away from home and poetry. Please enjoy the beginning of Carson McCullers' novella, The Member of the Wedding. It's an absolutely fantastic book that I began a few weeks ago and quickly devoured. If you haven't read it, I hope that this serves as a gateway into the full book. It is definitely one of the best books I've ever read and one that I'll return to. The writing is thick and smart, wry and hilarious, deeply observant and packed with pitch-perfect sentences. 

The story takes place in the mid-century South and follows Frankie, a twelve-year old girl walking the tightrope into adulthood and the grim reality of such a balancing act. She lives with her widower father and spends her time with her younger cousin John Henry and her nanny/house-help Berenice. Frankie is finding herself less drawn to pastimes that used to take her whole summer, such as digging a swimming hole with neighborhood children or putting on shows in the back yard. 

Like Scout Finch in To Kill a Mockingbird, Frankie is more interested in throwing knives than playing dolls, but as an older version of Scout, she's becoming more curious about the larger world, her place in it, and the town she's grown up in. When she learns that her eldest brother is to be married, she starts fantasizing about becoming a family with he and his bride after the wedding--despite receiving no invitation or even a gesture toward it. She decides that this will be her way out of town forever and into the world and goes about dreaming the dream until she has convinced herself of its truth in her attempts to convince others. 

She begins to experience the town and her home as though she will never return, and like the childhood she is leaving behind, she starts to feel both the loss and the excitement of living a different version of her life than she has until now.

Evidently, the novella became a movie only a few years after its 1946 publication (and again 50 years later), and was one of McCullers' best known or most heralded works--aside from The Heart is a Lonely Hunter.

I so very much wish that I'd read McCullers before now, but I'm so happy and grateful to read her work now that I've cracked it open. Much like my experience first reading Sherwood Anderson's Winesburg, Ohio, I reveled in the discovery of every sentence and scene. McCullers is amazing. From the way she designs the telling of the story to her observations about the characters to the vivid, perfect details (from John Henry's quiet perfectionism to Berenice's blue glass eye and stories of her deceased husband to Frankie's meticulous pantomime pretending to be a jeweler in her father's store window). 

It's on-point, as the kids say. (Do they still say that?) 

Do yourself or your book-loving friend a favor and find a copy of The Member of the Wedding. 

 

🕮

🠊 More Wake to Words here: http://www.erinpringle.com/p/wake-to-words-and-brew-some-coffee.html

🠊 Catch the live show Sunday mornings at some time-ish: https://www.facebook.com/erintpringle 

Unexpected Weather Events: New Stories by Erin Pringle

🕮 2024 🕮

APRIL

April 1: Casey, Illinois 

• Hometown Reading and Book Signing
• 2:00 PM (Central Time)
• Casey Township Library (307 E. Main)

🕮 2023 🕮

AUGUST

August 5: Virtual

• Teaser Reading for Pre-ordering Unexpected Weather Events
• 9:00 AM (Pacific Time)
• Facebook Live: https://www.facebook.com/events/1011613133194272 

OCTOBER

October 1: Spokane, WA

• Book Release Party for Unexpected Weather Events
• 2:00 PM
• Shadle Library (2111 W. Wellesley Ave.)

October 19: Missoula, MT

• Reading and book signing
• 7:00 PM
• Fact and Fiction Books  (220 North Higgins, Missoula, MT)

October 26: Portland, OR

• Reading with Rachel King
• 7:00 PM
• Annie Bloom's Books (7834 SW Capitol Hwy.)

October 28: Olympia, WA

• Reading with Rachel King
• Time TBA
• Last Word Books and Press (501 E. 4th Avenue East) 

DECEMBER

December 14: Interview 

• Rendezvous with a Writer Out West
• 6:00 PM (Pacific Time)
• Tune into L.A. Talk Radio

🕮

• Now booking for Unexpected Weather Events Book Tour!
• For event updates, follow my author page on Facebook: https://www.facebook.com/erintpringle/
• I'm always happy to visit book clubs at their virtual meetings or if I'm near the physical location 
• Contact me for more information regarding speaking engagements, appearances, and book signings: http://www.erinpringle.com/p/contact-her_12.html

Mczyzniejewski on The Whole World at Once: "Pringle writes haunting, stark narratives that send her characters out to investigate"

My time with Erin Pringle’s stories in The Whole World at Once was well spent. Pringle writes haunting, stark narratives that send her characters out to investigate what they can’t understand, be it a snowy ravine, the death of another, or the imminent death of the self. Curiosity is a solid trigger for any story, and Pringle handles her sleuths with an adept hand, getting close enough to look over their shoulder, though not close enough that we know their names. Mortality, and their existential relationship with it, makes for some tremendous pondering. - Michael Mczyzniejewski from his review of The Whole World at Once

I'm not sure how I missed sharing this wonderful review of The Whole World at Once, my last collection of stories. This review came out in 2020, three years after the book's publication and a few months after my novel Hezada! I Miss You was published (which corresponded with the pandemic). 

I remember reading the review and messaging Michael about it. I maybe even promised to send him a copy of Hezada! but I don't think I did. I guess that was the way of life back then. Covid affecting our physical environments led to a shift in how we stored our memories. Or how I did, anyway. 

Regardless, he said some super awesome words about the stories, and it's damn fine luck when your book falls into the hands of someone who can spin such words and wants to.

It's easy to forget that writing a book is for someone to read--to absorb the feelings and thoughts that you carefully created over so many hours and years and find the experience worthwhile in a way that affirms both your experiences of reality. 

Now it's three years since he posted his review, and I'm back at the point of marketing a new book of stories (Unexpected Weather Events); I'm at the Sisyphus part--at the bottom of the hill, pushing the ten-ton boulder called Publicity up Nobody-Cares hill, yelling about it every step so that readers will emerge from hiding and start whisking the book away. If I'm lucky, a reader will find these new stories worthwhile, too. It's a magnificent bonus when awesome words appear a few years later. 

• Read Mczyzniejewski's full review of The Whole World at Once here: https://story366blog.wordpress.com/2020/05/07/may-6-2020-the-lightning-tree-by-erin-pringle/ 

🕮

Ann Tweedy reads Erin Pringle's Unexpected Weather Events

You've likely heard me read a number of poems by Ann Tweedy on Wake to Words. I happily met her work when we read together at a Hugo House reading, and the two of us later read at Last Word Books in Olympia, WA. Now she lives in the Dakotas, so I'll need to make a trek out there to read with her again. One of the best parts of our writership or frienwrit is the support we give each other's work. Although it's not typical for fiction writers to have poets blurb their books, I'm not typical and neither is Ann. So, when I asked if she'd read Unexpected Weather Events and blurb it, she said yes. I had no idea, of course, that she would write something as beautiful as this, and I'm absolutely honored and humbled. Because Ann Tweedy tells the truth, make no mistake.

🕮

Ann Tweedy, on UNEXPECTED WEATHER EVENTS

In prose rich in metaphor, Pringle masterfully and hauntingly narrates the interior lives of children and adults facing life’s greatest struggles. Pringle’s characters are inspiring and courageous as they encounter unthinkable catastrophes. 

In these stories, we see from the eyes of children watching a parent die from cancer, witnessing a parent’s ongoing struggle with mental illness and the debilitating effects of medication, and experiencing a holocaust-like mass killing of residents in their town. We see adult characters who escaped horrific childhoods question the viability of their own happy lives to the point that everything begins to crumble. 

Pringle’s stories deftly and unsentimentally address heartbreaking and sometimes taboo topics like the grief of miscarriage and the destructive force of homophobia. Often, the lines between reality and delusion blur, and the reader becomes unnervingly ensnared in the protagonist’s confusion. 

Many of the stories are quintessentially Midwestern, infused with wide cornfields and an ethos of practicality and personal limitation that is brought into stark relief by Pringle’s uncritical presentation. Pringle’s many gifts as a writer are in full force here. Particularly striking is Pringle’s ability to powerfully and convincingly evoke a child’s point of view. As always, Pringle’s work will break you open and at the same time fortify you.

 🕮 

• Visit Ann Tweedy's website: http://anntweedy.com/poet/
• Order Unexpected Weather Events: https://awst-press.com/shop/unexpected-weather-events

Yes, you should read Lord of the Flies by William Golding (even if you've lived under a rock for the past 50 years)

Upon finishing Lord of the Flies,
barefooted

Lord of the Flies by William Golding came into the world in 1954, and while I am typically not a fan of the question regarding whether a book can live past its epoch, I repeatedly wondered this while reading. Is the book of its time, such that it can't fully reach us in our present? Or am I uniquely numbed to terror, listening nightly to true murder stories, such that I am not shocked to find a group of choir boys descend into chaos, murder, and tyranny?

A few years ago, I bought this copy of Lord of the Flies in one of those weak moments in a bookstore when you find yourself at a display shelf of new covers on old books, and decide that yes, you need this book, despite the fact that you can locate it in every library and used bookstore in the same city.

(I somehow missed every class and professor who assigned this book, yet found myself reading The Great Gatsby three or four times. This is neither here nor there but simply the power-ball situation that is syllabi book lists.) 

And this week, I finally read it. The book has saturated our culture to the point that nothing was surprising about the story or its pointed questioning of the world. When left to our own devices, child or adult, will some kind of internal, ethical compass save us from our human desire for power? What in us gravitates toward reasoning, democracy, and community? What external forces prevent us from descending into an irrational death spiral in which we take out anyone who seems weak as a way to solidify the group?

The answer in Lord of the Flies is that a few people will have an ethical, well-meaning compass and follow it, no matter the cost to themselves, but for the most part, everyone else will kill you first and worry about it later, if at all.

It was, of course, novel for Golding to situate such questions within the world of children; much of the story's horror comes from the collision of the murderous adult world with the idealized perception of children as innately good, prone to kindness, and perfectly innocent. 

Lord of the Flies begins with a plane crash on a remote island, with a couple dozen surviving children--perhaps members of a church or boys' choir. No adults survive the crash, and so the remaining children eventually gather, begin trying to create a livable situation and tend an ever-burning fire such that a nearby ship might see and come rescue them.

All manner of books and stories have since explored the same theme and questions. Most popularly, the Hunger Games series, any number of Stephen King books (e.g., The Running Man or The Long Walk), the well-known story "The Lottery" by Shirley Jackson, Octavia E. Butler's Parable of the Sower, and innumerable others. 

This isn't to say that writers should stop exploring the human heart, its drive to be all-powerful and revered, or how murder and war are a terrifying cycle from which no one can seemingly save us, child or adult. Unlike fire putting out fire, war does not seem to put out war. 

What I do think is that Lord of the Flies is a well-told story, but it will not shake anyone to the core now that we live in a world where children shoot each other in schools, roadsides, and homes. Where children bully each other online until the bullied child dies by suicide. Where children haze each other until someone accidently dies, and everyone feigns surprise. Where adults with guns barge through schools, malls, concerts, parades, and movie theaters. Where we can daily find images, should we choose to search--of dead immigrant children washed onto beaches, drowned with their parents, or if by luck, starving into a slow death. Children left in pieces in bombed cities or left to live, blind and torn apart by landmines left over from old wars.  

In Lord of the Flies, the children elect one of the older children, Ralph, to be the leader. The children talk about themselves as tribes and savages. There's another kid who wanted to be leader, and eventually, that desire for power leads to the mayhem and murder that come toward the end of the book. Early on, the children go about the business of creating a mirror of what they know: shelter, food-finding, a democracy in which every child is allowed to speak as long as he's holding the beautiful conch shell. Later, once the child who yearned to be leader successfully kills a wild pig with the help of others, the monstrosity of the killing starts the slow plunge toward anyone now being seen as nothing more than a wild pig--or less than, since the children who later die serve no purpose other than to terrify the others into following the new leader/tyrant.

Here are some reasons to read it:

1. Everyone else has read it, so you ought to read it in order to understand how deeply the book has permeated the culture;
2. It will shed some light on the era of its publication, and the concerns that come out of WWII and the Holocaust; 
3. You'll be reminded of how saturated our lives are with murder and death, such that this book does not feel full of terror as it must have many decades ago;
4. Should the book-banners remember this book exists, it will be banned again, and one ought to know what others find worth censoring (I just learned that it's one of the top ten most challenged/censored books);
5. To have an uninterrupted time dwelling on why people form groups and how that can go terribly wrong with the leader who takes power;
6. The scene wherein you learn why the book has its title and then dwelling on that and its implications regarding the children;
7. Perhaps you are a teacher and need to assign a book like Hunger Games that will not be immediately challenged by parents. I'd think that this seventy-year old book will have slipped off the radar of the well-meaning censors. (But, if it's still in the top ten challenged, I clearly know little about any of that.) You will need to deal with the book's savage/civilized duality and the writer's implications that native people are representative of destruction while white people are inherently "civilized." That the story exists without girls, except for the off-stage mothers that the children yearn for, should be factored in when selecting it and be a topic of discussion. "The Lottery" would be a well-chosen companion reading.

Overall, I'm glad to have read it, to meet the character Piggy beyond what I've picked up here and there, and to read how it ends. I did not expect to become endeared to Ralph but here we are. There were a a handful of images so vivid and shattering that the book is probably worth reading simply for those. One, for example, is the corpse of a parachuter that gets caught in the trees. 

Note: The edition I bought came sandwiched between introductions, notes, and theory, but I think you'll be fine reading an edition that contains only the story. But if you like the extra pages to expand your own illuminating thoughts, then go for a newer edition.

🕮

A Game of Telephone on Wake to Words and Brew Some Coffee (August 6, 2023)

Today is a departure from the usual poetry of Wake to Words and Brew Some Coffee. I'll be reading the story "A Game of Telephone" from my forthcoming story collection Unexpected Weather Events. Reserve your copy now from Awst Press: https://awst-press.com/shop/unexpected-weather-events

This was recorded for a live Facebook event.  

If you live in the Spokane area, I hope you can attend the book release EXTRAVAGANZA on October 1st, Shadle Park Library, 2-4 PM. You're absolutely invited. 

🕮

🠊 More Wake to Words here: http://www.erinpringle.com/p/wake-to-words-and-brew-some-coffee.html

🠊 Catch the live show Sunday mornings at some time-ish: https://www.facebook.com/erintpringle 

Read a Book in the Park: August 5, 2023

Read a Book in the Park

READ A BOOK IN THE PARK

I realized that as a writer, I can hardly fret over people buying but not reading my books if I myself have a difficult time reading books. Social media, true-crime podcasts, animals behaving hilariously on reels--all of these not only suck my time into the black hole of a quickly passing present, but also make it difficult for me to focus or transition to a concentrated activity that requires mental participation.

An idea was then born that seems silly when you first think about it: Read a book in the park. Together.

And so here we are. I'm officially inviting you to join me in Audubon Park tomorrow morning (Saturday, August 5) from 8-9 AM. We will read our books together--but silently, alone, and from our own blankets, hammocks, or other reading apparatus.

Bring the book you're reading or have been meaning to read.

Leave your cellphone in the car or at home. (Audio-bookers are encouraged to read a print book for this event.)

No book? No blanket? No worries. I will have both for borrowing--for all readers: infants to teens to those who crave Cormac McCarthy on a bright Saturday morning. Ha!

At the end of our hour of reading, we share what book we're reading or we don't. We pack up and move into the rest of our day, or we read for longer. The first time we gathered (and we've so far only gathered once), a reader remarked on the revolutionary nature of the event--how it felt like she was participating in a silent protest. 

Yes. I want my brain back. I want books back. If you feel the same way, join us. 

Then maybe we'll wind up reading in a park near you, and if you're not near us, I hope you read in your park.

Read a Book in the Park

• Saturday, August 5
• Audubon Park (Southeast side, closer to Northwest Blvd. than to Finch Elementary)
• 8:00-9:00 AM
• Free

🕮

NOTE: More reading-in-a-park sessions have been scheduled. Our next one is Saturday, August 19 (same place and time). For updates, new reading meetups, or to share and enjoy pictures of books and parks, join the FB group Read a Book in the Park: https://www.facebook.com/groups/fusediversity

Erin Pringle talks writing with Spokane Public Library's THE HIVE

A few years ago when I had a writing residency at The Hive in Spokane, they interviewed me on the good old camera and microphone. I talk a little about my creation process, thoughts, and goals. Here's the result!

At the time I was working on a novel that I continue to draft. Since then, my newest book, UNEXPECTED WEATHER EVENTS is to be published. In fact, at the filming of this interview (winter 2021), I didn't have a publisher for it yet, and it's saved on the desktop of that computer.

UNEXPECTED WEATHER EVENTS

strange, sad, and beautiful stories

October 1, 2023

AWST Press

Order now: https://awst-press.com/shop/unexpected-weather-events

🕮

October 19: UNEXPECTED WEATHER EVENTS in Missoula, Montana

Meet me in Missoula 

Unexpected Weather Events by Erin Pringle
from AWST Press (cover art by L.K. James)

I'll be reading from my new book of stories, Unexpected Weather Events, at my favorite Montana bookstore, Fact and Fiction Books. I had a reading there for Hezada! I Miss You, and first met their acquaintance at a Montana Book Festival in 2017 for my last book of stories The Whole World at Once. I've always appreciated the friendliness and warmth of the staff, and have been extra pleased since the store was bought by Mara, who seemed to be the unofficial coordinator of the festival--if coordinating means knowing everything, answering every question, selling all the books, and directing confused writers to their events.

October 19

7 PM

220 N. Higgins Avenue

Have a BOOK-READING FRIEND in Montana? 

Send them my way!

🕮

• Order Unexpected Weather Events from AWST Press: https://awst-press.com/shop/unexpected-weather-events 
• Official release date October 1, 2023

Wake to Words and Brew Some Coffee (July 16, 2023)

 

Poems:

• Waking at Night
• Cherishing What Isn’t 

(Both by Jack Gilbert from his Collected Poems)

🕮

🠊 More poetry sessions here: http://www.erinpringle.com/p/wake-to-words-and-brew-some-coffee.html

🠊 Catch the live show Sunday mornings at some time-ish: https://www.facebook.com/erintpringle 

Liz Rognes on Unexpected Weather Events: "These stories visit the tender space between the living and the dead"

 “Erin Pringle crafts an immersive, vivid world where time can linger, sit down, or turn itself inside out as characters survive the beautiful complications and layers of their lives. These stories visit the tender space between the living and the dead, between right now and memory, between reality and dreams. There are ghosts and shadows and memories and forewarnings as the people inside these stories face the hardest parts of being human—climate change, cancer, suicide, war—while finding love and meaning in the sweet impermanence of safety.”

— Liz Rognes, singer/songwriter RED FLAGS and TOPOGRAPHIES

Order Unexpected Weather Events from AWST Press, the publisher:

https://awst-press.com/shop/unexpected-weather-events

🕮

Yes, You Should Read A Pure Heart by Rajia Hassib

Yes, You Should Read A Pure Heart by Rajia Hassib: A Book Review

After I read In the Language of Miracles by Rajia Hassib, I located her contact information and messaged her how much I loved her book. Later, she would write a special post for this website about her childhood library ("The Missing Library") and a book recommendation for the somewhat annual series Book Your Stocking. Later, she not only read Hezada! I Miss You but also found it worthwhile. 

As soon as I learned of her next novel, A Pure Heart I pre-ordered it. But it wasn't until this summer that I finally began reading it. First, at the park over the July 4th weekend--on the grass beneath the hammock where my son rocked, reading his own book. (What joy to read your own book while your child reads his own!) And then, this past weekend, I packed it up to Umatilla National Forest with the intention to finish it. And I did, this time reading it in the hammock alongside my son, later on the porch, and finally finishing it by headlamp in my bunk--dogs snoring around me, child dreaming in his bunk beside me, and through the window the stars blinked fully visible in the dark, perfect sky. 

How nice to read a book.

And even better that it was a good one. 

And this one.

What I most appreciate about Hassib's writing is her careful precision in making her sentences, and in this way, unwinding the story. There's no rush and no waste. She writes purposefully and with a sure hand. It's easy to trust that she's taking you exactly where you need to be. Of course, I'm not one to skip pages, skim paragraphs to the dialogue, or start a book by reading the last page (my mother does this), so perhaps the most curious/impatient reader will continue such habits--even with Hassib. But her writing is so strong, like that of a sturdy dance partner, that it seems that one couldn't skip about and find any enjoyment in doing so. 

A Pure Heart follows the lives of primarily three people: Rose and Gameela, two sisters who grew up in Cairo, Egypt and Mark, a white journalist from the United States who marries Rose. Early in the novel, we learn that the younger sister Gameela (in her mid-twenties) has died in Egypt, having been near a suicide bomber when he exploded. The rest of the novel is, then, the retracing of how Gameela came to be there. Rose is the one trying to retrace all of this, but it is the reader who will finally learn how everything came to be.  

Rose, the older sister, is an archaeologist now living in New York where she's pursuing a doctorate in Egyptian history; when Gameela dies, Rose returns to Egypt briefly for the funeral and to console their parents; while there, she collects her sister's belongings from their once-shared room. She takes the items back to New York and studies them as she does artifacts, in order to discover a narrative or solution to the mystery of how her sister came to be at the site of the attack.

Rose knows her journalist husband has played a part in her sister's death, as he had travelled there in the past few years to write an article about life in Egypt after the Egyptian Revolution. While there, he asks Gameela for help locating a source to profile. 

I really appreciated Gameela as a character. I found her the most interesting, perhaps because we learn about her from multiple perspectives--including her own--or perhaps because, as it is her death that's the source of the mystery, the narrative revolves around her such that she is inherently interesting. She is the most dynamic of the characters--not only because she is constantly negotiating between who she is and how she allows herself to be perceived, but also because she is developing her own personality and beliefs informed by, but separate from, her parents' and sister's beliefs.

Early in the book, when Rose and Mark first become engaged, Gameela disapproves of the marriage, does not understand why her sister would leave Egypt, and distrusts Mark's genuineness in converting to Islam in order marry Rose--which Rose sees more as a gesture toward custom than she does a religious or legal requirement. But Gameela has recently dedicated herself to being a strict Muslim, wearing her hajib outside and around her throat, praying and speaking scripture. This way of being makes her family feel awkward around her, and Gameela feels hurt by this.

Later in the novel, as she grows up, graduates from university, takes a job, and starts to fall in love, she finds herself becoming more moderate in her adherence to religious rule-following. This is both an interesting shift in character, and Hassib writes about it beautifully:

"[Gameela's] religiousness had followed a curve that reminded her of the sensation of jumping into a pool feetfirst: a deep and speedy plunge in, followed by a slower, gentler journey up, until she finally reached the surface and, gasping for air, trod water with unexpected comfort. Her dive into the hijab followed a similar curve: rapid, at first, rigid in her eagerness to be fully submerged in obeying God, followed by a gentler bobbing up, not away from God but toward a more lenient devotion to His commands. She would never, ever abandon her head cover; but she had grown to see her hijab more as a sign of her acquiescence to a loving God than as a measure of avoiding His wrath" (223).

The man Gameela falls in love with does not fit the cultural expectations of who she should fall in love with. This, too, Hassib writes about with an intimate kindness and interest--how Gameela must tiptoe around to learn how he feels about her, how she accepts gifts from him but--unable to ask him how he feels--tries studying the objects for answers (as her sister will later examine Gameela's belongings as though they will explain her death). Gameela finds herself in a terrible predicament--wanting both to honor her culture and parents and to find love with a man her parents would reject. In order to please everyone, and it is her impulse to please, to assure, to prevent any tension or conflict for others, she begins to lead a double life--to do so, she must lie by omission to her parents, sister, and best friend and repeatedly disappoint the man who is waiting for her to sew her lives into one life. 

Affecting all of the characters, their lives, and relationships are questions about the relationships between identity and culture, tradition, stereotypes, religion, beliefs, place. The novel asks us to wonder what it is that makes us who we are, and what are we when only our objects remain. The novel deftly moves from Egypt to New York to West Virginia--the metropolises of New York City and Cairo versus the less populated places of Rasheed and Charleston. In the same way that Hasib wonders about the similarities across religions, she notes the same tensions between urban wealth and urban poverty--what a society prefers to hide or ignore and the repercussions this has on everyone--both those who are made to hide and feel ashamed and those who do the shaming--often by creating laws that enforce shaming. 

How can we be so entrenched in our own perspectives that we can't understand another's? The novel deftly deals with this question, in raising it and answering it, in how carefully every character is treated in an attempt to reveal the person beneath the stereotype. It's all far more complicated than we lead each other to believe, the novel suggests, but not impossible to fathom. 

A Pure Heart is a beautifully executed novel of people, place, and the inner turmoil we find ourselves in both because of and in spite of our culture, upbringing, and experiences. Yes, you should read it.

🕮

You can find A Pure Heart via 

• Bookshop
• Your library
• Your local bookstore

P.S. I do not profit from links you click. Click them all. I'm not a capitalist. I just want you to know about this book, and I think writing about it is the best way to tell you. 

Wake to Words and Brew Some Coffee (Monday Edition, July 10, 2023)

Over the weekend, my son and I spent our days in the Umatilla National Forest, which was fantastic for all the reasons one might imagine--trees, ground squirrels, wildflowers, stars, mountain streams--and the added bonus of no internet access. So, like a holiday delaying garbage pick-up by one day, this week's session of Wake to Words and Brew Some Coffee arrives at your doorstep on a Monday rather than our usual Sunday. I hope it finds you there, regardless, and that you'll find one of these poems to have the right words for your current moment.

Poems!

• Space & Time by Ann Tweedy (from her book A Registry of Survival)
• Two Laments by Daniel Halpern (from his book Traveling on Credit)
• Choice by Susan Bright (from her book Atomic Basket)
• Immortality by AI (from her book Sin)

🕮

🠊 More poetry sessions here: http://www.erinpringle.com/p/wake-to-words-and-brew-some-coffee.html

🠊 Catch the live show Sunday mornings at some time-ish: https://www.facebook.com/erintpringle 

Wake to Words and Brew Some Coffee (July 2, 2023)

 

Poems read:

• Summer Sky by W.S. Merwin (from his book Garden Time)
• The Wings of Daylight by W.S. Merwin (from his book Garden Time)
• Man at a Window by Jack Gilbert (from The Great Fires)
• Not Most by Tina Mozelle Braziel (from Known by Salt)
• XII. by Wendell Berry (of Sabbath Poems 2015, collected in his book A Small Porch)

🕮

🠊 More poetry sessions here: http://www.erinpringle.com/p/wake-to-words-and-brew-some-coffee.html

🠊 Catch the live show Sunday mornings at some time-ish: https://www.facebook.com/erintpringle 

"Troubling, tender, and hallucinatory": Polly Buckingham on Erin Pringle's newest stories

Polly Buckingham on Unexpected Weather Events: 

“Reading UNEXPECTED WEATHER EVENTS is like looking into a snow so mesmerizing and crystalline you are unable to turn away, at once illuminated and profoundly lost. They are stories of winter madness—troubling, tender, and hallucinatory—stories of connection and misconnection, of love and grief and isolation in the increasingly dangerous and tenuous reality of our contemporary condition.”

Forthcoming from AWST Press, October 1

Book here: https://awst-press.com/shop/unexpected-weather-events 

Wake to Words and Brew Some Coffee (June 25, 2023)

 We've reached the last Sunday in June. I hope you enjoy these poems.

Poems:

• 3 A.M. Kitchen: My Father Talking by Tess Gallagher (from her book, Under Stars)
• Exile by Carolyn Forché (from her book, In the Lateness of the World)

🕮

🠊 More poetry sessions here: http://www.erinpringle.com/p/wake-to-words-and-brew-some-coffee.html

🠊 Catch the live show Sunday mornings at some time-ish: https://www.facebook.com/erintpringle 

"At turns deadpan and compassionate, always wise and complex": Sharma Shields on Erin Pringle's Unexpected Weather Events

Good words by friend and fellow writer Sharma Shields on my next book: 

 “In Erin Pringle’s breathtaking story collection UNEXPECTED WEATHER EVENTS ghosts arrive on wintry nights, the sky bleeds red snow, a hole opens up between heaven and hell, and characters learn to grieve, to laugh, to love, even as the harrowing world around them shudders and quakes with loss. The themes and tone in these pages—at turns deadpan and compassionate, always wise and complex—converse beautifully with the fiction of Miriam Toews and Agota Kristof. This book reminded me: We are not alone in our sorrow; there are always new ways—even in a petrifying darkness—to see and to love.”

— Sharma Shields, author of THE CASSANDRA

🕮

Pre-order Unexpected Weather Events from Awst Press. Purchasing books early and from the publisher always helps fund the printing, marketing, and distribution costs along the way. You also receive it at a lower cost. 

> Preorder! https://awst-press.com/shop/unexpected-weather-events

> To be released October 1, 2023

Wake to Words and Brew Some Coffee (June 18, 2023)

 Poems!

This Sunday's poems:

• II. To The National Security Agency
• III. (both by Wendell Berry, from his book A Small Porch)
• Death Town
• Luck Town (both by Anne Carson, from The Best of the Best American Poetry 1988-1987)
• When You Clean Your Weapon by Borys Humenyuk, trans. by Oksana Maksymuchuk and Max Rosochinsky (from In the Hour of War: Poetry from Ukraine)
• [Take Immortality, God, but give] by Dmitry Bliznyk, trans. by Ilya Kaminsky (from In the Hour of War: Poetry from Ukraine)
• Eating Dinner Alone at the 163rd Street Mall by Ariel Francisco (from the anthology LatiNEXT: Breakbeat Poets Vol. 4)
• In the Reunion of My Selves by Aline Mello (from the anthology LatiNEXT: Breakbeat Poets Vol. 4)
• Work Shirt by Tina Mozelle Braziel (from her book Known by Salt)

🕮

🠊 More poetry sessions here: http://www.erinpringle.com/p/wake-to-words-and-brew-some-coffee.html

🠊 Catch the live show Sunday mornings at some time-ish: https://www.facebook.com/erintpringle