Sunday, January 10, 2021

Wake to Words and Brew Some Coffee (January 10, 2021)

 

Poems read:

  • [once the moment came it was too late to go back to the moment before] by kathryn l. pringle
  • A Story about the Body by Robert Hass
  • A Litany for Survival by Audre Lorde
  • A Few Minutes at the Beach by Ann Tweedy
  • dream where every black person is standing by the ocean by danez smith
  • Song of Change by Daniel Halpern
  • On the Hill Late at Night by Wendell Berry

Friday, January 8, 2021

Pandemic Meditations: A Scrabble Story by Robert Tombari

Coronavirus Scrabble from flickr, used under CC license


2020: A Scrabble Story

by Robert Tombari

I seriously love words. I’m a big fan of Scrabble. I try not to come up with the most clever ones. You have to be lucky in drawing letters. It’s not all skill. It’s about the letters you draw and where you place them that makes the game interesting. How the board comes together - you always have to be conscious of the bigger picture. You slowly realize that every word you place matters in a significant way. Dictating what can or cannot be done four turns from now. Maybe you got lucky, and hit a seven letter word (most of the time it's an eight-letter word) by adding your word to an existing one. You only get the bonus if you use all your letters and create, at minimum, a seven-letter word. 

Semantics abound. 

For me, placing a letter on a scrabble board is a type of meditation. It is easy and doesn’t take much effort. Finding the right words, however, that’s hard. While the goal of the game is to accumulate the most points, you are also working to make sure that you have places later. 

Words matter. How you use them matters. 

Words, words words . . .

As many Scrabble enthusiasts will tell you, the first word sets the tone for the game. It is the make or break moment. Words beget words that beget words . . . until one person runs out of tiles and the bank out of letters. What makes the game intriguing is that when you have run out of tiles, and you’re the first to lay them all down, you then get the points from the other players' letters. It’s inherently part of the game, and isn’t really vital to what I am telling you. But in a way it is. 

Words . . .words? 

Words . . .

I like to play defensively--always paying attention to what the person before has done, and what the next player could do. You choose your words carefully. 

In the end, you find that where you use the words you create, how you place them, how they fit onto the board, letter by letter, tile by tile racking up each point only brings you so far. If the game is a blowout is it really that much fun? I don’t mean that you should throw the game if someone isn’t doing well. It is luck after all that got you the better tiles and placements available to put them. But the question remains. 

WORDS! Words . . . words . . . ?

I like to block the triple word scores with mundane letters. Taking smaller chances to make sure that in the end I was given some points. After all, it's the points that you need that will help you win the game. 

Which words to create?  Which words to toss? 

Your mind must race so many miles minute when you haven’t been paying attention to what has been happening - not looking at the bigger picture. You’ve been solely focused on your own game play. You forgot to check in with the world around you. Realizing now that the word you were going to place is no longer useable. Someone has taken your spot and you cannot play there anymore. How do you make the word fit?

If words are the name of the game, then the action of placing them is like a chess board move of “checkmate”. I mean the stakes are always high, but in the end it’s just a word. Does it really matter? 

Finally the board is done. The letters are fully placed. The game has been set, the match is over. 

What to do? What to do . . .

Do you ever evaluate your plays? Like, just look at the game when it’s finished? Tried to see how it could have come out differently? 

I’ve always said you should be aware of the wordplay. Do you see it yet? 

Words are the name of the game. Actions are using them. Placement is vocalizing them.

When I think of how the pandemic has affected our theatrical community, both locally and globally, I think of the words 

CANCELED
 
ENSEMBLE

CLOSED

PREMIERE

BLACKOUT

COMMUNITY

TOGETHER

CHANGE

ACTOR 

Amazing things come out of this pandemic, but pain has come with it. 

Theatre has forever changed. We must embrace this change. We must look forward to the future. 

As we look at these words, we can imagine the hardship of finding a way to create them during the pandemic. How lucky it really would have been to make them happen. 

Vowels are important, in theatre, we emphasize and stress them when warming up--using them to ground ourselves and solidify our bodies for performance. We were trying our hardest to, simply, draw a vowel that could link the needed sounds.

There was a loss without these words.

Clear the board. 

Start again.

Here's to hoping our letters connect in 2021.


😷

Robert Tombari
Robert Tombari is a classically trained actor, director, producer, educator, and an acting/vocal coach who currently resides in Spokane, Washington. He received his MFA, with an emphasis in Shakespeare, from The Royal Birmingham Conservatoire in Birmingham, England where he lived for two years. He holds a BA in Theatre Arts from Boise State University. While living in Boise he also worked as a stagehand on numerous productions at The Morrison Center for The Performing Arts. Robert has also toured parts of the Pacific Northwest with Idaho Theatre for Youth part of Idaho Shakespeare Festival. He has performed locally at Spokane Civic Theatre (Morris, Present Laughter) and at Stage Left Theater (Jody, Lonely Planet; Mack The Knife, Threepenny Opera). 

Robert currently produces the Masterpiece Monologues series for Stage Left Theater. He is also a member of Stage Left Theater’s Board of Directors. Robert was born and raised in Spokane. When he isn’t working, you can find him wandering around Manito Park with his dog Bentley, trying new restaurants, binging his favorite tv series, and spending time with his immediate family. He can be reached at his website.

At the end of January, Robert will be starring in Stage Left's virtual production of An Iliad (directed by Susan Hardie). Tickets here: https://www.showtix4u.com/event-details/44777




Pandemic Meditations is a weekly series in which creative people share responses to the COVID-19 Pandemic. Find more meditations at http://www.erinpringle.com/p/pandemic-meditations-series.html

Sunday, January 3, 2021

Wake to Words and Brew Some Coffee (January 3, 2021)

 

Poems read:
  • Lies Lies Lies by m.l. smoker
  • Finding Something by Jack Gilbert
  • Milk by Kaveh Akbar
  • Sylvia's Death by Ann Sexton
  • Progress by Walter Moore
  • She Dreams of Being an Artist by Maya Jewell Zeller
  • We are Not Dead by Munthir Abdul-Hur, translated by Sadek Mohammed
  • Power by Adrienne Rich

Wake to Words and Brew Some Coffee: Erin Pringle reads good poems by other people

On Thanksgiving morning of 2020, I read good poems by other people while we drank coffee (on my Facebook page). I have since continued doing this every Sunday morning 7-7:15 AM (Pacific Time).

And as I foresee doing this an innumerable number of Sundays, I figure it's time to have a standing invitation.

Therefore, no matter your time zone or level of wakefulness, you are cordially invited to join me every Sunday for coffee and good words.

Wake to Words and Brew Some Coffee:

Erin Pringle reads good poems by other people while we all drink coffee

Broadcasting live every Sunday at 7 AM for approximately 15 minutes worth of words

📚☕️

Sunday, December 27, 2020

Wake to Words and Brew Some Coffee (December 27, 2020)

Today's installment of Wake to Words and Brew Some Coffee, in which I read good poems by other people while we all wake up over coffee. Enjoy!

 

Poems read:
  • The Fear of Darkness by Wendell Berry
  • There is a force that breaks the body by Diane Seuss
  • Argument by Daniel Halpern
  • Duplex by Jericho Brown
  • March Snow by Wendell Berry

20/20 in 2020: A Discussion with Melissa Stephenson, Emily Withnall, and Erin Pringle

On December 28th at 3 PM (PT), I'll be joining my writer friends Melissa Stephenson and Emily Withnall to discuss how our writing and reading went in this pandemic year. Of course, it's a virtual event, and of course, you're cordially invited.

Invitation here: https://fb.watch/2Eufb78-Nl/

Event link here: https://www.facebook.com/events/419627052512977

🕮

Sunday, December 20, 2020

Wake to Words and Brew Some Coffee (December 20, 2020)

Every Sunday I read good poems by other people while we all drink coffee. Thanks for joining!

 

Poems read:

  • The Cold Pane by Wendell Barry
  • Lilies by Mary Oliver
  • Vaccine by William Evans
  • Guilty by Jack Gilbert
  • Bluets (an excerpt) by Maggie Nelson
  • From the River's Edge by m.l. smoker
  • Fruit by Ann Tweedy
  • A Meeting by Wendell Berry

(The microphone, while "working," did not cut the monitor hum. So. We'll just carry on and try again next Sunday.)

Friday, December 18, 2020

Pandemic Meditations: It's Wednesday, November 4th by Polly Buckingham

Trouble on my mind by Dana, used under CC license

It’s Wednesday, November 4th

by Polly Buckingham

Mercury is just out of retrograde, it’s the morning after a yet-undeclared election where deaths from climate change, inequity, and Covid are all at stake, and I’m cutting up the last two chanterelles from a disturbingly dry mushroom season. 

After the mushrooms, I’ll cut up two garden potatoes, one purple, one pink, and the rest of my cubanelle peppers and fry a couple eggs. I dried and stuffed the other hundred some peppers, and all that remains is a handful of fresh banana peppers and poblanos. As my breakfast is sautéing, I’ll bake one of the sixty some winter squash on racks in the back room; the temperature there is 55 degrees so the squash will last through the winter. I’ve named this variety “That Crazy Plant”; it comes from the seeds of a mystery squash that took over my garden the summer of 2019. It looks like a cross between a pumpkin and a turban squash and has a remarkably sweet bright orange flesh. I’ve moved the potatoes and carrots from the garage to the backroom, a room otherwise delegated to the dog and the squash, after a surprise snowstorm where temperatures dropped from the 60 to 12 degrees and some six inches of snow fell. I’ve spent the last few nights talking on the phone with friends while cutting the tops off hundreds of carrots. Over the next month, I’ll juice them, dry them, grill them, sauté them, ferment them, share them with friends and the foodbank, and eat them raw.

People say they have to find things to do during Covid, but I find I cannot get through all I need to do, though I often wonder about what I’m doing and why. I wonder about the notion of work, of a job. I don’t need a winter of food stored in freezers and dried in cabinets. And yet, answering this calling to grow food, to feed people, to understand what it means to grow most of what you eat, feels necessary. I feel compelled to do it, and it helps keep me steady—planting seeds, popping dried beans from their pods, saving carrot blossoms and sunflower heads.

Still, my job has always been to write, and it has always come first. I don’t have children: I dream and I write. I struggle with the simple tasks of daily living—paying bills, making doctor appointments, cleaning my house, calling for repairs, even opening mail. I was the child who couldn’t regularly brush her hair or teeth or clean out her locker or show up anywhere on time because she was dreaming and writing and writing and dreaming. I have never been suited for much else, and it has saved me throughout my life. Made me whole. Made my soul feel steady. Writing is that great creative force, that beautiful arc across the night sky, dusty and eons deep. It is the most important thing I have to offer. I have a duty first to vision. A sort of seeing that is transmutable and necessary to me and to the world.   

Let’s be honest: I haven’t written enough since Covid sent us into isolation, despite the very clear invitation—that is, long periods of time alone at home. A dream, really, an ideal field, like a spring garden covered with the compost of fall leaves. Every day I wake up forgiving myself for not writing enough. I try to be good to myself. But it hurts not to write.

The apricot smell of the chanterelles steadies the panic that tries to rise up in me. What I know about this day as Mercury moves out of retrograde is how deep the change this country has to make, how deep the change I have to make. My job in this moment, on this day, is to transform. I don’t know how long it will take, or even what it looks like, but it must happen. And only a lifetime—fifty-three years—of dreaming and writing and writing and dreaming could have prepared me for this most necessary job. I have to trust my own role in the movement from seed to fruit to fallow earth.

Later today, I will clean with a dry cloth several of the winter squash in my backroom. The dog bed is still covered with carrot tops and unfinished carrots the dog got into a few nights ago—purple and orange and yellow and scarlet carrots, crooked and straight, enormous and tiny. The squash are weighty in my hands, and they glow as I wipe the cloth over their imperfections.

Polly Buckingham’s collection of poetry, The River People, was just released by Lost Horse Press. Her story collection The Expense of a View won the Katherine Anne Porter Prize in Short Fiction. Her chapbook A Year of Silence won the Jeanne Leiby Memorial Chapbook Award for Fiction (2014), and she was the recipient of a 2014 Washington State Artists Trust fellowship. Her work appears in The Gettysburg Review, The Threepenny Review, Hanging Loose, Witness, North American Review, The Moth, New Orleans Review, Poetry Daily and elsewhere. She was a finalist for the Flannery O’Connor Award in 2011, 2012, and 2013. Polly is founding editor of StringTown Press and teaches creative writing at Eastern Washington University where she is editor of Willow Springs Magazine. Learn more at https://pollybuckingham.com/

😷

Pandemic Meditations is a weekly series in which creative people share responses to the COVID-19 Pandemic. Find more meditations at http://www.erinpringle.com/p/pandemic-meditations-series.html


Tuesday, December 15, 2020

Pandemic Meditations: The Bleak Midwinter by Liz Rognes

The Bleak Midwinter

by Liz Rognes

In the bleak midwinter, 1.6 million people have died across the world, and counting.

In the bleak midwinter, more than 297,000 people have died from coronavirus in the U.S., and counting. 

On December 9, 2020, more people died in a single day in the U.S. due to coronavirus than the number of deaths on 9/11. 

If ever there was a bleak midwinter, this is it. 

I hope you and your families are safe, although I know as I write this that I have many friends who have been sick, who have long-term illness, and who have lost loved ones. I thought of you and your families as I made this arrangement of this song. 

Please wear your masks and get the vaccine as soon as you can. I want to give you hugs, and I am getting bored of conducting a choir of Liz x 6. I’m aching to sing with other people.

But mostly, I want you all to be alive when we come out of this! 

Please, do what you can so that you and I and our remaining loved ones make it out of this bleak midwinter, alive.

In the Bleak Midwinter
Text by Christina Rossetti
Arrangement by me, based on the Holst melody


To view Liz's performance, you can watch it below or at YouTube with this link: https://www.youtube.com/watch?v=sDkt7RJEbQY




Liz Rognes
photo by Rajah Bose
Liz Rognes is a singer/songwriter, composer and writer who teaches writing and literature at Eastern Washington University. She grew up in Iowa and now lives in Spokane with her children. Her music was recently featured on KSPS PBS; you can watch it here: https://www.pbs.org/video/liz-rognes-d6rybl/

For more music, recordings, and information, visit visit http://lizrognes.com/
















😷

Pandemic Meditations is a weekly series in which creative people share responses to the COVID-19 Pandemic. Find more meditations at http://www.erinpringle.com/p/pandemic-meditations-series.html

Sunday, December 13, 2020

Wake to Words and Brew Some Coffee (December 13, 2020)

I read good poems by other people while we all drink coffee.

Enjoy!

 

Poems read:
  • Morning by Billy Collins
  • I Am Offering This Poem by Jimmy Santiago Bac
  • Love Poem by Louise Gluck
  • Blues for the Death of the Sun by Ansel Elkins
  • The Great Fires by Jack Gilbert