Friday, May 4, 2012

Short-Story Month 2012: Day 4, Diagnostic Drift by Michael Martone

Photograph of girl under autumn umbrella
Transparent by Kasia,
used under CC license
Since 1996, April has belonged to the poets.  But it has only been a few years, at least in her memory, that May has been unofficially officially declared National Short Story Month.

So, to celebrate the art of the short story, each day of May a story will be selected and posted at What She Might Think.

Since we're four days in, rather than catch up with four different stories, here's a lyrical short story in four parts:

 "Diagnostic Drift" by Michael Martone  

Saturday, April 28, 2012

The End of National Poetry Month, 2012

Photograph of pink hyacinths
Hyacinth Happiness by Lachlan Rogers. (CC)
We are at nearly the end of April, which means it's the end of this year's National Poetry Month.  

And, so, a bit of a medley to celebrate poetry month in a single shot, if you haven't already been celebrating. 

One passage like a poem, one poem, one poet, one excerpt.

A passage like a poem:
1) “Once a little boy sent me a charming card with a little drawing on it. I loved it. I answer all my children’s letters — sometimes very hastily — but this one I lingered over. I sent him a card and I drew a picture of a Wild Thing on it. I wrote, “Dear Jim: I loved your card.” Then I got a letter back from his mother and she said, “Jim loved your card so much he ate it.” That to me was one of the highest compliments I’ve ever received. He didn’t care that it was an original Maurice Sendak drawing or anything. He saw it, he loved it, he ate it.”    —Maurice Sendak

A poem:
2) Eating Poetry by Mark Strand 

A poet:
3) Also, if you haven't read the Interview with Laura Read, a poet, then there's this, too.

An excerpt from a poem.
“You gave me hyacinths first a year ago;  35
They called me the hyacinth girl.”
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,  40
Looking into the heart of light, the silence.

                                             (from The Wasteland by our man T.S. Eliot)

Tuesday, April 24, 2012

How the Sun Burns: Forthcoming in The Minnesota Review

Photograph of stone quarry near nightfall
Rock Quarry
by paparutzi (CC)
 The minnesota review has just accepted her story "How the Sun Burns Among Hills of Rock and Pebble", which will be a story in her next book Midwest in Memoriam. 

The story is slated for Spring 2013 publication.


Thursday, April 19, 2012

To Shift & Grit: New Review of The Floating Order

"It’s Pringle’s ability to get inside the mind of a child and see the adult world from their perspective that is the real strength of this collection. Another is the shifting nature of reality from this perspective."

Photograph through a green bottle
Faye Through Glass
by Aislinn Ritchie (cc)

~writes John Kenny, in a new review of The Floating Order. Kenny is a writer, and co-editor of Dublin's Albedo One and Aeon Press. Please find the full review at his website.

Monday, April 16, 2012

One Bull-Running Over: 2012 Pulitzer-Prize Winners Announced

Image of 1970 Pulitzer Prize medal
Pulitzer Prize Medal
All those running in fiction were trampled, no one survived.

The announcements might get a bit more press this year since, of the list of winners, the winning work of fiction is a blank space--the committee decided that none of the finalist-books in the fiction section merited the Pulitzer.  Finalists, but not fine enough, evidently for more than that.

According to the administrator of the prizes (via the L.A. Times), This isn't the first, but eleventh, time to happen in the fiction side of the Pulitzers.

No doubt this decision will raise a flurry of discussion in the fiction world--among writers, editors, publishers, and readers.  For, while we've gotten the memo that there was no prize, now it's time to decide, or consider, what the memo means in terms of what the committee is suggesting about quality.

Photograph of Picasso drawing a bull in light
Picasso and the Bull Out of Light, in Life
And, perhaps, another sort of discussion will occur from this in regards to the $50 "handling" fee that must accompany each work (and four copies of each book) submitted into the running for the Pulitzers.  A $50 fee that is hardly a scratch on the bucket for the large presses, but the weight of a brick in the bucket for small presses.

For a list of all the winners, visit the Pulitzer website.

The next running of the writers is for The National Book Award. Deadline for submission is June 15, 2012 (postmark date).  Works published between December 1, 2011 and November 30, 2012 are eligible . . . but with eligibility also must come a publisher who can afford these conditions (among others) of the prize:

All publishers submitting books for the National Book Award must agree to:
  • Contribute $1,000 toward a promotional campaign if a submitted book becomes a Finalist.
  • Image of National Book Award MedalInform authors of submitted books that, if selected as Finalists, they must be present at the National Book Awards Ceremony and at related events in New York City.
  • Cover all travel and accommodation costs for Finalists and provide them with seats at the Awards Ceremony.
  • Purchase from the National Book Foundation, when appropriate, medallions to be affixed to the covers of Finalist and Winning books. [bold, mine] The Foundation will also license the medallion image artwork for reproduction on the covers of Finalist and Winning books.
  • Inform authors that, if selected as Finalists, they must agree to participate in the Foundation's website-related publicity.

Thursday, April 12, 2012

Emrys Issue 2012 Now Available

Cover photo of Emrys Literary Journal, 2012
Her short "Skydivers" is in the new issue of Emrys Journal (Volume 29), which is now available for purchase

Emrys Journal is a part of a large-scale arts group out of South Carolina that supports writers and artists through scholarships, activities, lectures, and much more.


Literarily Speaking: GetLit! in Spokane, 2012

Childlike illustration of tree with leaves and birds for 14th annual GetLit! festival
A strange phenomenon is currently happening in Spokane. The readers have crept out from their reading chairs, the writers out of the coffee shops and studies, and the libraries are empty for a different reason.  Even the airport is taking part, in its way, bringing us a Poet Laureate, Ted Kooser, and Lois Lowry, award-winning writer of children's literature.

A festival is upon us, friends!  It's time for the Spokane, WA annual event: GetLit!

All week Spokane is celebrating the word--spoken and on the page. Today, for example, there are poetry slam competitions happening, from grade-school-age to college-age.  On Saturday, workshops and panels all day, and then, a play that night.  On Sunday, Kooser will read and be interviewed by the poet Christopher Howell.  And, of course, much, much more!

From the 10th to the 15th, writers and readers will mingle among words and, sometimes, wine.  From one side of town to another, it's true: Spokane believes in writing.


For the calendar of events, please visit the GetLit! website.

Update: She read as part of the Inland Northwest Faculty Reading at Barrister Winery, and was quite glad to be a part of listening and sharing work in such a lovely space.

Saturday, April 7, 2012

Butterfly Fears Heights

Cover photograph with one dog-person holding a butterfly while another dog-person tries to fly
Photographers Kirby and Cindy Pringle have finished their third Happy Tails children's book, The Butterfly That Would Not Fly.  Main characters, Earl and Pearl, discover an acrophobic butterfly and attempt to help the butterfly migrate to Mexico.

To pre-order a copy of The Butterfly That Would Not Fly, go to the book's page on

Kickstarter is a website where artists post either project ideas or completed projects in order to  find funding.  Sometimes, the artist(s) asks for a partial amount necessary to fund the project, outside of other funding that they already have; or the artist(s) asks for full funding.  

Book photo of two dog-people wearing sombreros and trying to send butterfly to winter homeThe Pringles are offering pre-order of The Butterfly That Would Not Fly through Kickstarter in order to help defray the printing costs for the 32-page, full-color book. Readers may contribute any amount to the project; with a $20 donation comes an autographed, and paw-o-graphed, copy of the book.

From the photographers: "We're very excited about the new book. We also hope to inspire people to grow flowers and milkweed to help the butterflies."

For more information about the Pringles, outside of their Kickstarter page, please see their website, Dogtown Artworks.

Thursday, April 5, 2012

Story Forthcoming in Glint: The Midwife

Photograph of lighted barber pole
Barber Pole
by Sally M,
Used under CC
Her story "The Midwife"
will be is published in the
May June 2012 issue of Glint.  

"The Midwife" will be
in her next book
Midwest in Memoriam.

Story Summary:
Susan has inherited
the barber shop
business that has
been passed down
through her family
for several generations.

She has also inherited
the delivery end of the

Wednesday, March 21, 2012

Roll-Call for Readers: Do You Exist?

Photograph of ring in open spine of book, casting shadow of a heart
Attribution Some rights reserved by MissTurner ,
Used under CC license
So, she has been working on her syllabus for the Creative Writing class that she'll be teaching in a few weeks.  A stack of books is teetering on her table, sticky-noted at this story or that poem her students will read and discuss on days they aren't discussing their own creations.

Meanwhile, she has also been reading outside of these books, and maybe it's just her luck, but she keeps landing on rather depressing articles.  For example, Nicholas Carr's article, "Is Google Making Us Stupid?" in which he discusses the way internet reading is affecting our brain patterns and, thus, ability to read deeply.  It's the true, sordid tale of how once-avid readers are losing their reading skills, much like a piano player who, after a twenty-year break, returns to the bench to find that her fingers have lost their songs.

Then, there's a more recent article out in The Chronicle of Higher Education, entitled "We Can't Teach Students to Love Reading"; here, Alan Jacobs compares reading habits from the advent of the printing press to the shift in post WWII students to present-day reading.  Some of his essay is a response to Carr's book that was inspired by the above-mentioned article. Jacobs concludes that, and she thinks rightly, that it is a much different task to teach students who have never experienced deep-reading how to do that by college but that it is more possible to reinvigorate those who have, at some time in their lives, experienced deep-reading and the benefits and joys.

A more, perhaps, uplifting article in The New York Times came out last week entitled "Your Brain on Fiction", which summarizes recent studies that show how the brain is triggered by reading fiction in similar ways as to when it's having sensory experiences outside of reading. Of course, it's a bit disheartening that anyone should have to go to such lengths to prove that reading is beneficial, but that the studies existed and an article was written to relay this information is one of those "sign of our times".  She supposes.  Because while it's nice that people are taking the time to research such things, the conclusions are akin to what Ian Frazier lampoons in his essay, "Researchers Say".
Photograph of a man standing in front of overflowing book shelves in open market
AttributionNoncommercial Some rights reserved by Roel Wijnants,
Used under CC license 

But, see here, it seems to her that it might be awfully depressing to be a [starting] writer right now, especially since all these reports keep being released about how people aren't reading anymore, or how, for example, there's evidently something wrong with Oprah for elevating the reading taste of her followers because readers with higher literary tastes don't buy market romance.  (Oh, Culture Industry.  Oh, oh, oh.)

So, this is what she would like: 
One sentence, but no more than ten sentences, in which you explain

1) why you read fiction or poetry (or both), OR 
2) what you look for when you go hunting for a new book, OR 
3) who your favorite writer is and what it is about his or her writing, you think, that draws you back, OR
4) why you no longer read fiction or poetry

Photograph of discarded book stamp card
Attribution Some rights reserved
gypsy999, Used under CC license 
Just post your mini-essay at the bottom of this blog.  Feel free to stay anonymous, although it would be nice if you could state both your general location and age (Ohio, U.S., 41-years old).

Her idea is to then print out the answers for her students and discuss them since, after all, you, reader, are one of their potential audience members in years to come.

For one, she hopes that the responses will encourage her students to know that readers do, in fact, still exist.  And, two, she hopes that the responses will show the variety of readers who read and for a variety of reasons.

Think of this as a sort of  Roll-Call for Readers, a sort of rallying anthem for the troop of writers she will meet in a few weeks and then teach for the next few months.  Writers who, no doubt, have been told already that no one reads anymore and that there is no life in writing about people who don't exist for people who don't exist.

Do you exist, reader?  

(Click on the title of this post to access the comment form.)